Dansema Dance Theater returned from Poland, Germany and Denmark, where eleven times performed the dance performance “World without Eyes” for blind and partially sighted children of 1-6 years, and held three seminars for local dance and inclusive arts community. These tours are part of the partnership "Making Waves" in which culture organizations from Poland, Germany, Denmark, Romania, Italy, the United Kingdom and Cyprus participate together with Dansema.
This partnership is one of 19 winning projects funded by the EU Creative Europe project Perform Europe , which aims to rethink the international presentation of the performing arts in Europe with a view to making it more sustainable, inclusive and balanced. Project Perform Europe involves an 18-month process consisting of a research phase, the launch of a digital platform, the testing of a support scheme and the development of policy recommendations. In 2021, out of 1320 applications submitted from all over Europe, 500 applications were selected for the second stage, including two Dansema applications - the presentation of the performances “World without Eyes” and "Meadow". During the second phase, the selected participants had to find partners with whom they could further develop their application and seek funding. Of the 120 partnership applications submitted for the second phase, only 19 were funded, including "Making Waves" project with Dansema performances. An important requirement of the second stage was that there had to be at least three partners from different countries to present the selected performance. As many as six countries were interested in Dansema's performances . The partnership was initiated by the International Network on Inclusive Art Inclusive Arts Network (IIAN), which is part of the International Theater and Youth Theater Association (ASSITEJ) and resides in Denmark. It was joined by the Fundacja Theater 21 (Poland), Segni d'Infanzia Associazone Culturale (Italy), Teatro 4Garoupas (Germany), Assitej Cyprus (Cyprus), AREAL- Space for choreographic development (Romania). The troupe from the UK Mind is also involved in the partnership the Gap with a performance-film "Small Places", in which young people with neuro-diversity act and dance .
In organizing the partnership, Dansema 's tours were divided into two parts, North and South, in order to optimize travel in terms of financial, human resources and ecological sustainability. Therefore, the first northern part of the tour “World without Eyes” was shown in Warsaw, later in four German cities (Aachen, Soest , Martfeld and Bruchhausen Vilsen) and Esbjerg in Denmark as part of the International Theater Festival for Children and Youth Aprilfestival, organized by the Teatercentrum together with the Danish national ASSITEJ Center. Aprilfestival also hosted the IIAN World Congress "Catch the Wave" to analyze and discuss the relationship between performing arts and disability through the prism of participation, representation and accessibility. Dansema's performance “World without Eyes” was one of the main events of this congress, bringing together a large number of members of the international community interested in the situation and opportunities of inclusive art.
In Poland and Germany Birutė Banevičiūtė, Dansema 's artistic director and choreographer, doctor of social sciences and dance educator together with dancers and teachers Giedre Subotinaite and Agne Ramanauskaite gave seminar to local professionals, who later joined Lithuanian dancers and participated in performances. The aim of these workshops was to share with colleagues the knowledge and experience that Dansema has gained in creating performances for babies and children with different abilities. In Denmark the Dansema team conducted a seminar for congress and Aprilfestival participants live and online on methods and challenges for creating inclusive dance performances.
The idea for the performance “World without Eyes” for choreographer Birute Banevičiūtė came during the first wave of the pandemic in the spring of 2020, when the performance and tours of the performances were suspended due to quarantine restrictions. The generous funding provided by the Lithuanian Culture Council for this project allowed Dansema's creative team, which together with B. Banevičiūtė was formed by the stage designer Medilė Šiaulytytė, dancer Giedrė Subotinaitė and composer Valerio Camporini Faggioni to carry out in-depth theoretical and practical artistic research to find the most appropriate forms and content of expression for a dance performance that can be experienced by blind and partially sighted children. "It took a long time to find families with blind and partially sighted children who want to participate in our project and are open to our ideas," B. Banevičiūtė recalls. According to the choreographer, not all the families contacted were willing to come to Dansema's creative rehearsals, although all the security measures required by the quarantine were provided. But it was not the pandemic that was of greatest concern to parents, more often the isolation they experienced from raising blind children and the negative attitude of society. "We encountered a similar situation when we invited families of blind children to our performance in other countries with our touring partners. The fact that it was the hardest to find spectators in Denmark surprised me the most,” says B. Banevičiūtė. Discussions with audience during the project showed that, in Germany, for example, some family members were not even aware that their children attended specialized schools for children with various disabilities. Discussions arose as to whether this was related to the stigmatization of families due to children with different needs than neurotyped children, or to the experiences of fear, frustration, or other causes of negative attitudes in society.
"We are very grateful to those families, school teachers and administration who responded to our invitations in Lithuania and other countries and participated in our performance, as the artistic experiences of the children's audience in the “World without Eyes” revealed new, unprecedented characteristics of those children" says B. Banevičiūtė. Dancers Giedrė Subotinaitė and Agnė Ramanauskaitė noted that the greatest joy includes the sense of meaningfulness of activities, when mothers, parents, teachers come after the performance and tell them that their child has never done anything - did not participate in joint activities, did not interact with other children, but ,here in the peformance he researched, touched, danced, smiled, applauded.
The form and content of the dance performance discovered by Dansema's creative team paid off, as there was a long discussion with the choreographer and the dancers after the performances, as the audience wanted to know and understand the basic principles behind the performance. There was a lot of interest from performing arts professionals - "incredible, brilliant, I cried the whole performance, such sensitivity for children, professional performance, impressive scenography, wise costumes, delicate music", these are just a few reviews from foreign colleagues. "I created the “World without Eyes” based on the principle that I want to convey dance as a non-verbal way of communication and cognition non-verbally, not to explain to the audience what is happening in communication with blind people, but to allow them to experience it through the movement vibrations of the air and the floor, according to which the blind can feel the movement of people around them ”- shares choreographer Birutė Banevičiūtė. The scenography constructed by Medilė Šiaulytytė is a carpet consisting of materials and objects of various temperatures and textures, which emit sound according to the intensity of movement when they are moved. The special design of the costumes created by Medilė also contributes , which allows to transform the costume and cover the nose and mouth when masks are required, or to maintain the distance between the dancers and the children of the audience who participate in the performance. The dramaturgy of the performance was based on the dynamic expression of the essential elements of the dance (space, time, energy), but did not seek metaphorical meanings. In this respect, the performance is similar to those created by B. Banevičiūtė for 0-2 year old babies who do not yet think metaphorically, but are well aware of abstract shapes, colors and movements, even if they do not know their names.
The cozy, safe, relaxing atmosphere of the performance allowed the blind and partially sighted children and the small spectators with neuro-diversity to feel the dance and get involved in the action in the time and in the way that suits them. This aspect was most highlighted by relatives and teachers of children with signs of autism syndrome.
After a successful tour of the first phase of the project, Dansema is preparing for the second southern phase in June, which will take place in Romania, Italy and Cyprus.
More information about the project can be found at https://performeurope.eu/